..embers..

I read recently a dissertation from Paul O'Brien, a student that finished the BA Sound Arts course last year. I got to say that apart for being a well organized and thoughtful thesis, it was particularly pleasant to read and, without wanting to sound too lame or sentimental..well..here we go..yes..TOUCHING. Reading this brought me to his website Hearing Beckett, where I found more information on his work. What really got to me was how all his work through the course of his last year at school results so homogeneous and..here we go again..'clean'. 

'Solution Of Continuity' was his Final Major Project for his degree.

 It is an installation that does not use any sound..only dust as he argues. It kind of relates with certain thoughts on my dissertation, in particular the recorded voice of someone dead. And the value that piece of tape or vinyl or data on a hard disk can gain with time -commercial value or spiritual or sentimental or..who knows.. 

I know it doesn't make sense to you reader now but I'll try to make it more clear as soon is clearer to me but yeah! sound installations with no sounds! need to do some research on that! I leave you with some words from Mr O'Brien himself. I'm sure it'll make more sense.

"Solution of continuity is a silent sculptural work inspired by Beckett’s stage play, ‘That Time’. ‘Solution of continuity’ is a medical term defined as, ‘A division of bones or of soft parts that are normally continuous’. Beckett harnesses the term in his stage directions for the play to describe the constant flow of words from three ‘moments of the same voice’, proceeding ‘without solution of continuity’. This idea is turned on its head in the piece wherein the two ‘normally continuous’ spools are literally separated, thus there is ‘not a sound’, ‘nothing only dust’."

BA3 Show 2010 - Paul O'Brien - Solution of Continuity from Sound Arts & Design @ LCC on Vimeo.

Publish Post

memories..WHAT???

I've been thinking about memory all morning..mainly because mine is really bad and I usually tend to distort things..

Example: a friend of mine keeps telling me that he owes me money 'cause he sold one of my guitar to buy smack. well..really nice for him to do this – and then tell me .But the problem is that for what I remember I sold the very same guitar myself to another friend, who needed it as a tour back up for a similar one he has - by the way I'm talking about a sunburst Ampeg by Burns from 1963.
The only way in which I could find out what really happened would be by cross-referencing the different versions of the story consulting all the people involved, but one fact remains: something in my brain didn’t manage to store this information properly..

Another thing that intrigues me about memories is how they can be affected by the senses: a smell or a picture, a sound or a song could trigger images of past experiences or forgotten events..
This shamble of recorded data floating in my cortex’s membranes reminds me of my Tapegrinder installation – you can check it out on my audiovisual section –
I really want to explore this more and link it with my dissertation and the final major project of my course.

Glad I wrote it down you know..just in case I forget it.